
Imagine you said to a 6 year old child with a vivid imagination - "create the park of your dreams". Parc Güell seems like it was constructed on the basis of crayon scribbles, modelling clay and shreds of tiles found in a building site.
We spent an afternoon roaming around, stopping for a picnic lunch in one of the more secluded areas. We could have easily spent more hours there. It's one of those places which is deservedly a tourist attraction.
The gardens are littered with strange, dream-like architectural features - staggered arches, columns which seem to be forever on the verge of toppling, spiked white statues, swirling window frames, shattered mosaic paths, tiled benches that ripple inwards from the walls then plunge back again, Arabic-inspired patterns. Barely a straight line. The rocks seem piled together with superglue. It's the Flintstones meets Dali. As we walked further and higher into the park, we began to glimpse some pretty amazing views of the Barcelona, which is hemmed in by a valley and the sea.
The parc is an unreal place of tranquillity and respite from the big city, and is full of surprises. While roaming, we quite suddenly and inexplicably came upon a huge hall-like area, open but supported by Roman columns. Inside was a classical guitarist, plucking away. The best venue ever. We followed some stairs from this area downwards, and found another sheltered yet open alcove where another musician was playing a didgeridoo. Completely off the hook.
We ran into more of Gaudi's architecture around Barcelona - his art-like buildings often seem aquatic, surreal, they almost appear to quiver and undulate like coral underwater. To me, they're not always beautiful, they're just really unique and awe-inspiring. They just have their own aesthetic, their own logic. They make sense in their own weird way. In this way, Parc Güell reminds me of the best of Frank Gehry's works, in that it is so other worldly and fills you with wonder about how it was conceived and constructed, how it remains standing. It's also epic in vision and proportion - it took fourteen years to construct.
For once, I'm actually glad there was someone (in fact, a Count) who was rich and crazy enough to commission a work of such a grand scale - it's a great, open, public space with a ridiculous amount of artistic merit. (And much better as a public park than it's original inception - a luxury home estate.)












































